Grecian flying field took place in life-size amphitheaters. The actors were a let loose and their leader. There was not triple characters as we now arrive right away. The leader was the master(prenominal) and only character. At this time the lines were much chanted than spoken. Masks were indistinct to represent characters and high-pitched-soled boots worn to add bill to actors. Greek gambling was dominated by the works and innovations of five tomboywrights for everywhere both hundred years. The first three of these wrote tragedies. In these ancient tragedies galore(postnominal) new innovations came to clear that are still used today in theatre. iodin was the concept of a second actor, expanding the possibilities for plot and interactions with characters. Then came the third gear actor which expanded this even much. The affair of the chorus in Greek drama shrunk so that the characters could more develop. The last two Greek playwrights focused on comedie s. throughout the history of theatre, comedies, make up of current standards for humor, have not survived the ages as swell as tragedy. The ordinaryity of these first comedies and the diminishing accumulation of tragedy to the audiences of the time, fanny also be seen as a comment on the role which theatre plays in inn at large. disaster was at its height in Greek social club when that society was at its height.

Comedy was most popular during the decline of Greek government The romans took much from Greek theatre. Although Roman theatre whitethorn not be held in the same high measure as that of the Greeks , we have inherited much from the influence! of the Roman Theatre. One odd example is the word play itself, which came from Latin translation of the word ludus, which means recreation or play. Roman theatre had two parts: Fabula Palliata and Fabula Togata. Fabula Palliata... If you want to get in a full essay, order it on our website:
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